Art and photography books 2018
Custodians of culture increasingly recognize their responsibility to diversify voices in the spotlight. In November, GLAAD reported that the television industry had its highest percentage of characters identifying as LGBTQ since monitoring began over 20 years ago. In March, the New York Times launched Overlooked, a series that highlights notable women whose deaths were not covered by the newspaper at the time. National GeographicThe editor of featured the April issue with an op-ed titled âFor decades our coverage was racist. To rise above our past, we must recognize it. Book publishing has also intensified, and a number of forthcoming titles provide a platform for artists from traditionally marginalized groups.
A large, important art book (now with women)
Danielle Krysa (Running Press, Oct)
Collage artist Krysa launched the website The jealous curator in 2009 to transform his envy of other artists into admiration. In 2015, she launched a podcast of the same name that averages 10,000 downloads per episode. His new book picks up where The jealous curator started out – offering images of artwork to inspire creativity – but only focused on female artists.
Collages by Lorna Simpson
Lorna Simpson (Chronicle, June)
Simpson’s collages combine vintage advertising imagery with geological formations and colorful ink washes, presented as a celebration of the hair of black women and men. Poet and newly anointed Andrew M. Mellon Foundation, Elizabeth Alexander, wrote the book’s introduction, which our reviewer called “electrifying.”
Madame & Eve
Liz Rideal and Kathleen Soriano (Laurence King, April)
Artist Rideal and curator Soriano document the impact of second wave feminism on the art world over the past 50 years. The book presents women representing women in their works, 200 artists in all. Included are Louise Bourgeois, Barbara Kruger, and Tracey Moffatt, as well as lesser-known names such as Lalla Essaydi and Amalia Ulman.
My soul got deep
Cheryl Finley, Randall R. Griffey, Amelia Peck and Darryl Pinckney (Metropolitan Museum of Art, June)
Taking its title from Langston Hughes’ poem “The Negro Speaks of Rivers”, this book accompanies the forthcoming exhibition History refused to die (May 22 â September 23). Griffey says the artists in the book “are all linked by common legacies of slavery and histories of post-reconstruction oppression under black codes and Jim Crow laws” and are often described as self-taught, with little hope their work will be seen. in galleries or museums.
Michael Economy (KrimKrams Island, dist. By ArtBook, May)
From 1989 to 1990, Economy published five issues of the zine thought beat, which shed light on the gay and drag club scene of downtown New York during the darkest days of the AIDS crisis. His book brings together the five issues alongside new documents. âPerhaps because issues with fluidity and gender drag have become almost common over the past few years,â Economy says, âlooking back on old issues reveals how premonitory they seemâ.
girls from the north of the state
Brenda Kenneally (Regan Arts, Sep)
Kenneally, artist and documentary maker, was born in Albany and spent time homeless and incarcerated in his youth. She returned to the area for a mission to Troy, NY, in 2004, which led to the long-term project that became girls from the north of the state. Kenneally maintained a room at the Troy YWCA for ten years while documenting the life of a block of Troy residents. She sees poverty as a culture “where the common denominator isn’t necessarily race or gender, but social class dictated by income and other things that tell you what social class you are in.”
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A version of this article appeared in the 09/04/2018 issue of Editors Weekly under the title: Artistic Representation